Live Nation + Ticketmaster: Trust Us!

kid_rock-02.thumbnail.jpgTicketmaster, the world’s largest ticket dealer, and Live Nation, the world’s largest concert promoter, have merged into one humungous concert-promoting-ticket-selling company, Live Nation Entertainment. Guess what? They claim the deal will be a great thing for fans. Michael Rapino, CEO of Live Nation said:

This combination will drive measurable benefits to consumers and accelerate the execution of our strategy to build a better artist-to-fan direct distribution platform.

And Irving Azoff–whose Front Line Management which handles the Eagles, Steely Dan and Jimmy Buffet is owned in part by Ticketmaster–explained:

The goal of this company is going to be to get more artists to work and fill more venues and fill more seats.

But there’s a difference of opinion from politicians and at least one artist, especially after last week’s Ticketmaster snafu, when fans buying Bruce Springsteen tickets were automatically redirected to TicketsNow, a Ticketmaster subsidiary which resells tickets at a substantial mark up. Tickets with a face value of $65 and $95 were listed on the reseller’s site for $200 to $4,998.

When the ticketing issue arose, Springsteen wrote on his website:

The abuse of our fans and our trust by Ticketmaster has made us as furious as it has made many of you…The one thing that would make the current ticket situation even worse for the fan than it is now would be Ticketmaster and Live Nation coming up with a single system, thereby returning us to a near monopoly situation in music ticketing. If you, like us, oppose that idea, you should make it known to your representatives.

After receiving phone calls from angry fans over the ticketing re-direct, New Jersey Attorney General Anne Milgram asked for an investigation into the ticketing practices, while New Jersey Congressman Bill Pascrell wants a Federal Trade Commission investigation into the matter, saying: 

There is significant potential for abuse when one company is able to monopolize the primary market for a product and also directly manipulate, and profit from, the secondary market. 

Now that the merger has been announced, Pascrell has called for the House Judiciary Committee to hold hearings, and Sen. Charles Schumer, who sits on the Senate Judiciary Committee joined the fray, commenting:

This merger would give a giant, new entity unrivaled power over concertgoers and the prices they pay to see their favorite artists and bands. It must be viewed skeptically and scrutinized with a fine-toothed comb by the Justice Department and the Federal Trade Commission.

 Earlier Schumer called the Springsteen ticketing incident

a classic bait-and-switch,

though Ticketmaster’s Barry Dillard characterized it as

a technical glitch.

That Diller has a way with words. He also told the Hollywood Reporter (reported in its digital edition):

Ticketmaster doesn’t set ticket prices; Live Nation doesn’t set ticket prices. Artists set ticket prices.

How exactly are artists responsible high ticket prices when Live Nation, which owns 140 venues, produces 2,2000 concerts annually and Ticketmaster sells all the tickets?  These two companies were pretty much the only game in town before merging into a trust monopoly, and now fans and bands are super-screwed. Welcome to the jungle, Sinclair Lewis style.

29 Responses to "Live Nation + Ticketmaster: Trust Us!"
macaquerman | Wednesday February 11, 2009 12:07 pm 1

Are you citing Springsteen’s stance with approval?


MsAnnaNOLA | Wednesday February 11, 2009 04:19 pm 2

This can’t be good in any way shape or form for concert goers or artists.

Can’t the artists form a union? You know a union that competes with ticketmaster but the profits go to the artists?

Hmmmm….


scruffy | Thursday February 12, 2009 03:31 pm 3

That would be Upton Sinclair, author of The Jungle (and Socialist candidate for governor of California), not Sinclair Lewis, author of Babbitt (and Nobel Prize Winner).


macaquerman | Thursday February 12, 2009 03:45 pm 4
In response to scruffy @ 3

Hey, Lisa here’s a chance to say “You Betcha”.


LS | Thursday February 12, 2009 04:50 pm 5

Springsteen and Co., will have to start performing at regular venues…and they’ll draw at realistic prices.


Raven | Thursday February 12, 2009 04:51 pm 6

Irving started in Champaign_Urbana in the late 60’s running Blythum Lighting before he picked up Dan Fogleberg and Joe Walsh and moving to LA. He was a skunk then and he’s a skunk now.


ratfood | Thursday February 12, 2009 04:55 pm 7
In response to Raven @ 6

Hey Raven, did you see the Stones at the Assembly Hall in ‘72? I’m thinking that ticket prices averaged about $4.


Raven | Thursday February 12, 2009 04:58 pm 8
In response to ratfood @ 7

No, I saw them at McCormick place on my 16th birthday in 65. I came home in Sept 69 and was in the Parks and Rec program (where I met Chef-Ra) and missed their show that fall because we had a stupid field trip to Starved Rock! I did just get a CD of an Allmans Show I was at in Boston in 8′71.


neurophius | Thursday February 12, 2009 05:00 pm 9

Digg it!


SouthernDragon | Thursday February 12, 2009 05:06 pm 10

A number of years ago TicketMaster had to stop charging its fees on tickets sold at the venue.


wmd1961 | Thursday February 12, 2009 05:06 pm 11

Zappa plays Zappa at a local venue in Santa Cruz also had the same crap – ticketmaster tickets unavailable, 5X markup tickets available via ticketnow.

I can’t believe Dweezil is OK with this.


SouthernDragon | Thursday February 12, 2009 05:15 pm 12

The girlfriend of one of my bros in Nam worked for Select-A-Seat, an early competitor of TicketMaster. Based out of San Francisco and I ended up with some great concert posters. There’s one for Jefferson Airplane with the long haired hippie who ran for Mayor of SF as the focus. The hippie campaigned nekkid.


SouthernDragon | Thursday February 12, 2009 05:16 pm 13
In response to SouthernDragon @ 12

My bad. It was for It’s A Beautiful Day.


SouthernDragon | Thursday February 12, 2009 05:17 pm 14
In response to SouthernDragon @ 13

Still is.


ratfood | Thursday February 12, 2009 05:17 pm 15
In response to Raven @ 8

Man, that would have been worthwhile. I never had an opportunity to see Brother Duane.


SouthernDragon | Thursday February 12, 2009 05:19 pm 16
In response to ratfood @ 15

I always wanted to see Cream.


ratfood | Thursday February 12, 2009 05:20 pm 17
In response to wmd1961 @ 11

The Zappa progeny are generally useless. I saw Dweezil give a guitar demo at a local music store in the mid ’80s. He played awhile, then asked if there were any questions. A person in the crowd inquired, “When are you going to develop a style of your own?” The Dweez was not a happy camper.


SanderO | Thursday February 12, 2009 05:21 pm 18

Never use these services and don’t support pro sports or pop concerts. I buy Opera and ballet from the company on the telephone. Screw big business whenever possible.


ratfood | Thursday February 12, 2009 05:22 pm 19
In response to SouthernDragon @ 16

You had a pretty small window of opportunity for that. Of course they did that brief reunion a few years back, although after a 30 year hiatus it seemed a little pointless. I think Eric probably did it as a favor to the other two.


SouthernDragon | Thursday February 12, 2009 05:27 pm 20
In response to ratfood @ 17

Moon Unit.

Apart from the novelty of her and her siblings’ names, she first came to public attention at the age of fourteen, in 1982, as a vocalist on her father’s hit single “Valley Girl”. The song featured Moon Unit Zappa delivering a monologue in ‘val-speak’, a collection of slang terms popular in the San Fernando Valley, Los Angeles. Around this time, in the mid-80s, Moon Unit and her brother were frequent guest VJs on MTV. Next to “Dancin’ Fool”, “Valley Girl” was Frank Zappa’s biggest hit in the United States, and popularized phrases such as “Grody to the max” and “Gag me with a spoon”.

Emphasis mine. Still use them. How bad is that?


SouthernDragon | Thursday February 12, 2009 05:32 pm 21
In response to ratfood @ 19

Heh. Got their first album in Hong Kong. Played the shit out of it on one of those portable stereos. By the time I got back to the world they’d been broken up for 2 years.


macaquerman | Thursday February 12, 2009 05:36 pm 22
In response to SouthernDragon @ 12

Mayor of San Fran or NYC?


Raven | Thursday February 12, 2009 05:37 pm 23
In response to ratfood @ 19

I dunno, Jack and Ginger have had decent careers after Cream and it was a good gig.


Raven | Thursday February 12, 2009 05:40 pm 24

I’m sure all you hipsters are down with Wolfgangs Vault. This site has all of the recordings off the soundboards of Bill Graham produced shows as well as the original posters and tickets. The crazy German kept everything!

http://www.wolfgangsvault.com/


Raven | Thursday February 12, 2009 05:42 pm 25

Barak just gave props to Darwin at the Lincoln speech.


SouthernDragon | Thursday February 12, 2009 05:43 pm 26
In response to macaquerman @ 22

He ran for Mayor of San Francisco.


Mukei | Thursday February 12, 2009 05:44 pm 27
In response to MsAnnaNOLA @ 2

How about: “TicketCoOp: Owned by Artists for the Benefit of Artists and Their Fans”?

Co-ops. As American as Credit Unions and The Grange.


SouthernDragon | Thursday February 12, 2009 05:45 pm 28
In response to Raven @ 24

Holy shit. Best keep track of my posters. Thar’s gold in them thar thangs.


Splicer | Thursday February 12, 2009 07:35 pm 29

I already can’t afford to go to concerts that feature current, popular acts so doubly not affording them will be no loss. As it is, I only go to two or three day prog rock festivals anyway — where I can get five bands a day and my money’s worth.


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